Whether you’re a longtime fan or a newcomer to her music, join us as we revisit the unforgettable melodies and lyrics that have made Gladys Knight a musical icon. Each song on this list represents a unique chapter in her musical story, showcasing her ability to convey powerful emotions, tell compelling stories, and connect with listeners on a profound level. In this article, we embark on a melodic journey through the illustrious career of Gladys Knight, as we celebrate the top 10 best songs that have defined her as one of the greatest voices in the history of music.įrom her early days with The Pips to her solo success, Gladys Knight has enchanted audiences with her rich, soulful tones and emotional depth. With a career that has spanned from the early days of Motown to the modern era of R&B and soul, she has consistently delivered hit after hit, earning her a hallowed place in the pantheon of musical legends. ‘ A skeptical opinion toward the American space program was shared among evangelicals of Dylan’s generation‘ as stated by critics Robert Christgau and Bill Wyman.ġ.Gladys Knight, often referred to as the “Empress of Soul,” has graced the music industry with her extraordinary talent, timeless voice, and unparalleled charisma for over six decades. In the song License to Kill, Dylan seems to convey a strong, strange dislike for space travel, and that it can be heard on the first few lines – Man has invented his doom/First step was touching the moon. A harsh indictment accusing mankind of imperialism and a predilection for violence: the song deals specifically with humanity’s relationship to the environment, either on a political scale or a scientific one. He’s an absolute genius…The music just tends to be a vehicle for that poetry. But I think Bob is much more disciplined as a writer of lyrics, as a poet. Each song has its own secret that’s different from another song, and each has its own life….I’d say I was more disciplined. One of the great parts about production is that it demonstrates to you that you have to be flexible. Knopfler who featured here with Let It All Go and the Going Home soundtrack theme of the movie Local Hero said about his experience making the record Infidels: Dylan initially wanted to produce the album himself, but feeling that technology had passed him by, he approached a number of contemporary artists who were more at home in a modern recording studio. David Bowie, Frank Zappa and Elvis Costello were all approached before Dylan hired Knopfler. The critical reaction was the strongest for Dylan in years, almost universally hailed for its songwriting and performances. Many critics saw Dylan return to secular music in Infidels as also a return to musical form. Now, they take him and they teach him and they groom him for lifeĪnd they set him on a path where he’s bound to get ill She say who gonna take away his license to kill? She just sit there as the night grows still ![]() Man thinks ’cause he rules the earth he can do with it as he please Infidels gained much attention for its focus on more personal themes, in addition to commentary (such as with today’s song License To Kill) on the environment and geopolitics. Infidels was produced by Mark Knopfler and Dylan himself and is seen as his return to secular music, following a conversion to Christianity and a subsequent return to a less religious lifestyle. Another notable outtake was Someone’s Got a Hold of My Heart which I also treasure. It boggles the senses how he could just leave those two off the record, but any-hows. ![]() ![]() License To Kill is the fifth song so far to appear here from Bob Dylan’s 1983 record Infidels – if I include the Blind Willie McTell and Foot of Pride out-takes from the sessions.
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